December 3, 2015 Page 3 Police Reports Mon 11/16/15 to Sun 11/22/15 ROBBERY 12500 S HAWTHORNE BL STREET, HIGHWAY, ALLEY Sat 11/21/15 09:22 Property Taken: Six Hundred Seventy Six Dollars In U.S. Currency BURGLARY – COMMERCIAL 12900 S HAWTHORNE BL DOCTOR & DENTIST OFFICE, CLINIC Mon 11/16/15 09:08 Property Taken: Macbook Air BURGLARY – RESIDENTIAL 13500 S DOTY AV GARAGE ATTACHED Wed 11/18/15 09:25 Property Taken: Red/Silver 22”, 6-8 Boxes Of Pots And Pans BURGLARY – COMMERCIAL 3300 W EL SEGUNDO BL AUTO PARTS SALES Thu 11/19/15 14:21 Property Taken: Black “Kate Spade” Wallet, 51 Dollars In U.S. Currency, Cdl #D2676128 Belonging T BURGLARY – RESIDENTIAL 11900 S GREVILLEA AV HOUSE Sun 11/22/15 05:00 Property Taken: Conterfeit Michael Kors Purse Whit Leather, Skull/Heart Silver And Black Purse, The Bible, Nissan Truck Keys And Misc Keys, Silver Ring With Several White Stones • Peggy Guggenheim: Art Addict Tells of One of Modern Art’s Biggest Influencers By Morgan Rojas for Cinemacy Photo courtesy of Submarine Deluxe. Spending time surrounded by art in Los Angeles has been an increasingly popular cultural activity lately. With the opening of the new contemporary art museum, The Broad, in Downtown LA, the millennial generation is seeming to put a bigger significance on experiencing art in person (but whether or not this is just for social media purposes is a topic for another day). The El Segundo Museum of Art, appropriately called an “Art Laboratory”, is another example of the community’s demand for a creative outlet. From Submarine Deluxe comes the documentary Peggy Guggenheim: Art Addict, a colorful biography about one of the biggest influencers in art history, the notoriously unconventional grande dame, Peggy Guggenheim. Everyone who knew Peggy loved her for her eccentricity and uniqueness. An heiress to the Guggenheim family fortune, Peggy often called herself the ”black sheep” of her upper-class family. She loved being the center of attention and even shaved off her eyebrows as a teenager in rebellion to her perception of society’s pressure on young women at the time. Peggy reveals her tragic upbringing, which included the death of her father when he drowned aboard the Titanic, to her biographer Jacqueline B. Weld in audio tapes that were long thought of as lost, but thankfully have been found, for audiences to enjoy. These tapes went on the become the subject of Weld’s 1986 biography, “The Wayward Guggenheim,” and from which the film was based off of. Director Lisa Immordino Vreeland uncovered the recordings between Peggy and Jacqueline in Weld’s basement and upon hearing the tapes, knew Peggy’s story had to be visually told. The interview with Weld would also be the last Peggy ever gave before her death and Vreeland treats the significance of these tapes with the utmost respect and care when executing the film. The combination of old photographs and video footage mixed with archived recordings transports the viewer back to bohemian Paris in the ’20s and into the fast-paced lifestyle of a young Guggenheim. The ”who’s who” of the avant-garde world, including Marina Abramovic and Larry Gagosian, the art dealer who owns the Gagosian Gallery chain of art galleries, reminisce about Peggy and the life-changing contributions she made to the art world. From giving Jackson Pollock his first break to being credited as one of the first galleries to mix European and American art, Peggy’s candidness and vulnerability while talking to Weld are both inspiring and heartbreaking. Peggy Guggenheim: Art Addict is just as abstract, colorful, and spectacular as Ms. Guggenheim herself was. The film will leave viewers with a sense of wanderlust and admiration for a woman who helped define the art world as we know it today. A nonstop ride with constant surprises, Guggenheim premiered at the Tribeca Film Festival earlier this year and is now playing at the Laemmle Playhouse 7 and the Sundance Sunset in West Hollywood.• Film Review Peggy Guggenheim in Art Addict. Follow Us on Twitter @heraldpub Classifieds The deadline for Classified Ad submission and payment is Noon on Tuesday to appear in Thursday’s paper. Advertisements must be submitted in writing by mail, fax or email. You may pay by cash, check, or credit card (Visa or M/C over the phone). Errors: Please check your advertisements immediately. Any corrections and/or changes in an ad must be requested prior to the following Tuesday deadline in order to receive a credit. A credit will be issued for only the first time the error appears. Multiple runs will only be credited for the first time the error appears. No credit will be issued for an amount greater than the cost of the advertisement. 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