Page 6 April 6, 2017 EL SEGUNDO HERALD The Jewelry Source 337 Main St. El Segundo. 310-322-7110 www.jewelrysourceUSA.com Entertainment ©2007 Makes your bunny snuggle Try Colossal for an Indie Alternative to the Studio Monster Movie By Morgan Rojas for www.cinemacy.com Anne Hathaway knows what it’s like to be bullied. The Best Supporting Actress winner (Les Misérables) is known for getting her fair share of flak from critics who deem her “strive for perfection” to be annoying, but she has never retaliated towards these haters by transforming into a giant killer monster on a mission to destroy. In Colossal, Hathaway plays Gloria, a woman whose experience with a childhood bully ultimately changed her in ways she never knew existed until she is forced to re-examine her life and face her frenemy 25 years later. To read our interview with director Nacho Vigalondo, visit www.cinemacy.com. The sun peeks through the window of the NYC apartment Gloria (Hathaway) shares with her British boyfriend as she creeps in from a late night out. Hair disheveled and smelling of alcohol, her constant drinking and lying prove to be the last straw for her boyfriend Tim (Dan Stevens) as he kicks Gloria out, already having packed her bags for a swift exit. Finding solace in the familiar, she heads back to her childhood home in the suburbs. She begins to settle into life in the slow lane before running into her childhood friend Oscar (Jason Sudeikis). Despite her pledge to stay away from alcohol, she agrees to work at the local bar Oscar owns while doing her best to stay on the straight and narrow. While Gloria battles her inner demons stateside, a gigantic monster has begun terrorizing the city of Seoul, South Korea. With seemingly no personal connection to this devastating event, Gloria, along with the rest of the world, looks on in horror as a green mega-monster, who appears and disappears into thin air, destroys buildings and landscapes, and kills anyone in its path. It isn’t until a night alone when Gloria realizes that she is (literally) responsible for the mysterious creature’s actions and is left to figure out, amidst multiple obstacles, how to save Seoul, her relationships and herself. Directed by Nacho Vigalondo, Colossal is an original story in the midst of reboots and remakes. It’s one we’ve never seen before, bursting with creativity and surprises. Don’t let the film’s traditional first act fool you– while establishing that the character’s world is based in reality, Colossal slowly turns up the dial towards far-fetched fantasy that, by the end of the film, is a complete 180-degree flip. This Freaky Friday meets Godzilla flick isn’t quite the comedy its trailer suggests (despite a few laugh-out-loud moments). Rather, it is an unapologetically dark look at selfdestruction, alcohol, relationship abuse and bullying– all taking shape as a mythical kaiju creature. While the premise is enjoyable, despite being far-fetched, the same can’t necessarily be said for the characters. Hathaway’s Gloria is likable enough, tapping into every fear that a 30-something-year-old woman who doesn’t necessarily have her life together feels at one point or another. While she may not be sympathetic enough to feel sorry for, mostly because her issues are self-inflicted, we still root for her to succeed. Oscar, on the other hand, starts out as a well-intentioned friend who does everything he can to help Gloria in her time of need. From offering her a job to giving her furniture for her empty house, Oscar seems like the perfect guy to help turn Gloria’s life around. That’s why he seems almost bipolar when he demonstrates such unlikeable qualities about halfway through the film. For example, it’s one thing to show off and assert male dominance around Gloria, but to punch her in the face until she falls to the ground is completely unsettling to see. It’s definitely not funny and feels extremely uncomfortable. Oscar later blames his actions on alcohol, but nothing can erase that image from my memory. General character development seems to be lacking in Colossal, which proves to be its biggest downfall. We don’t ever see the buildup of Gloria’s vices--only the consequences of her actions, which forces the audience to assume her behavior is a pattern without ever actually seeing the pattern. Because of this, it’s also hard to distinguish when Gloria is drunk or sober (both performances seem about the same amount of spastic). Despite its shortcomings and critiques, Colossal is a nice indie alternative to the studio “monster movie” and could benefit those who want to escape reality for a couple of hours. Colossal is rated R for language. 110 minutes. Opening at ArcLight Hollywood and The Landmark this Friday, 4/7. • Anne Hathaway in Colossal, Courtesy of Neon. Everything, Everything By Nicola Yoon Reviewed by Katrena Woodson, Teen and Young Reader Librarian, El Segundo Public Library This week’s book review is a young adult novel titled Everything, Everything by Nicola Yoon. This book is captivating inside and out. Readers are sure to be drawn in by the colorful and slightly chaotic cover, but they will stay for the beautifully crafted story and interesting characters. The story surrounds Madeline Witter, an 18-year-old girl with a rare disease called SID that basically means she is allergic to the world. As a result she has spent her whole life inside her sterile home, interacting only with her mother, nurse and online tutors. Madeline has always been more or less at peace with her limited interactions with the world. However when a new family moves in next door with a very good-looking and clever boy named Oliver (Olly) who shows an interest in getting to know her, Madeline begins to want to push back against the boundaries that have been set up for her. This is one of those books that is hard to put down. The characters seem to just jump off the page and this story is one that will stay with you. This is a book that will have you thinking about the struggles of life as well as reminding you to see the beauty in everything around you. It focuses on youth and the hopefulness often associated with youth. It tells us it is not the risks of love and heartbreak that are the most dangerous, but the fear of pain that keeps us from taking those risks. Yoon touches on some complex themes and ideas in this book, making it most appropriate for readers that are ages 12 and up. That said, I would highly recommend this book to any tweens, teens or young adults looking for a great book to read this spring break--especially those who enjoy hopeful romantic books. A film adaptation for Everything, Everything is currently scheduled to hit theaters in May 2017, so be sure to read it before it hits the big screen! The El Segundo Public Library offers access to its collection of titles in a variety of formats, including traditional hardback, e-books and books on CD. To check out, Everything, Everything by Nicola Yoon or any other title on your to-read list, please visit the library to apply for your library card, or please contact the reference staff for further Everything, Everything by Nicola Yoon. assistance. • Katrena Woodson.
Herald_040617_FNL_lorez
To see the actual publication please follow the link above